- 电影
外星恶客
HD中字
1958恐怖片
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent sc
ript (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is ba sed on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say. - 电影
一天的终结
HD中字
爱从来都不是一条平坦的路。没有人比卡莉和丽娜更清楚这一点了,在卡莉决定从医学院辍学,丽娜失去了律师的工作后,她们的关系变得更糟。这迫使他们搬到一个汽车旅馆,一个他们都不满意的情况。更糟糕的是,丽娜和抑郁症的斗争又回来了,卡莉决定用她剩下的钱买一台相机,这样她就可以把摄像作为一种职业。尽管他们的关系开始出现裂痕,但卡莉和丽娜发誓要修复已经破裂的关系,无论情况如何,无论机会有多大。但他们都像自己说的那样坚定吗不幸的是,时间并不站在他们这一边。当肆虐世界的流行病出现在他们的城市,并开始把人们变成疯狂的食肉机器,卡莉和丽娜决定继续用他们的相机记录这一事件。这样一来,他们就被迫像从未有过的那样团结在一起.
- 电影
胆包天
HD中字
1975动作片
Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films ba
sed on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice! - 电影
咕噜牛宝宝
HD
2011动画片
白雪覆盖的森林腹地,温柔的松鼠妈妈(海伦娜·邦汉·卡特 Helena Bonham Carter 配音)为孩子们讲述了关于咕噜牛的传说:可爱的咕噜牛宝宝(Shirley Henderson 配音)试图进入幽暗森林,却被爸爸(罗彼·考特拉尼 Robbie Coltrane 配音)粗暴地抓回。爸爸警告宝宝,幽暗森林内藏着可怕的大恶鼠,一旦遇上恶鼠势必遭到伤害。夜幕降临,雪花纷飞,咕噜牛爸爸沉沉睡去。温暖的洞穴中,小宝宝却无心睡眠。他的好奇心打败了对大恶鼠的恐惧,最终他冒着大雪闯入幽暗森林。神秘的脚印、邪恶的毒蛇、夜间出没的猫头鹰,为止的森林带给小宝宝前所未有的体验…… 本片根据Julia Donaldson与插画家Axel Scheffler联合创作的同名绘本改编。
- 电影
荷兰人
DVD中字
1966剧情片
A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a stranger whom she has picked up in the subway and whom she mocks for wearing the clothes and employing the voice and manners of the conventional white intellectual. The man, who, at first seeing no reason to resist the girl's advances, perceives too late that he is being used by her, drops his "white" disguise, and launches a wild and bitter counterattack on her and on the entire white race. Written by alfiehitchie
- 电影
一场很(没)有必要的春晚|一场很有必要的春晚
HD
《一场很(没)有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影!影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚,然而在工作过程中却困难重重,险象环生,发生了一系列令人啼笑皆非的故事。
- 电影
杰茜卡
HD中字
2022剧情片
Jessica lives in fear of a man named Kevin who follows her everywhere she goes. While on a road trip, she reconnects with Elena, an old friend she hasn’t seen since high school. Elena has been hiding out at her deceased grandmother’s ranch in New Mexico.
When Kevin mysteriously appears at the ranch, Jessica and Elena seek help from beyond the grave to get rid of him for good. But Kevin is different from other stalkers and won’t move on so easily. - 电影
帐篷
HD
2020剧情片
好片电影网 An apocalyptic event known as The Crisis has devastated David's world leaving him to rely on survival tactics learned from childhood. Isolated and alone, David has taken refuge in a tent on the edge of the wilderness. Soon enough, another survivor emerges, Mary, who immediately begins questioning David's tactics and ultimately putting them in the crosshairs of "Those Who Walk In Darkness", unseen creatures that may or may not be responsible for The Crisis. From award-winning filmmaker, Kyle Couch comes a new vision of terror and heartbreak.
- 电影
胆包天1975
HD
UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsba
sedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice! - 动漫
睡美人
超清
剧情简介:奥罗拉公主的出生让国王和皇后乐坏了。宴会上他们邀请来十二位仙女,为公主献上祝词。一个没有机会前来宴会的坏心肠仙女,一气之下落下诅咒:她今天受的屈辱都会报应在公主身上,公主会在18岁那年死于纺锤之下。 在这个魔咒的笼罩下,国王和仙女都小心翼翼的保护着奥罗拉公主。国王甚至把全国的纺织器具统统没收,以...防止公主遇上不测。然而,悲剧还是发生了。奥罗拉在一个古堡里看到了正在纺布的老奶奶,一伸手就被纺锤的魔法击中,美丽的公主顿时沉睡,整个王国都随之陷入沉睡,国王,侍从,甚至猫狗,都落入了巫婆的咀咒。 邻国的王子闻说睡美人的故事,决定披荆斩棘前来古堡搭救公主,他的武器除了勇气和毅力之外,还有对奥罗拉公主的真爱。
- 电影
火爆麻吉
BD
本·马尼拜格(派瑞·沈饰)是一名亚裔美国高中少年——一个极其聪明的完美主义者,背负着亚洲人的传统思想,但是过于有成就感反而成为一种井蛙之见,直接束缚了他思想的正常发展。本生活在加利福尼亚州橘县的一个保守的郊区,学校和班级都是一样的压抑,生活中除了三点一线似乎再没有其他的激情可言。就这样平淡地渡过中学时光,本毕业时是班级成绩最优秀的学生,顺利地进入到最好的常春藤联盟大学。 在本高校生活开始的时候,他偶然帮助了达瑞克·鲁(罗格·范饰),一个高年级致告别辞的毕业生代表——是另外一个过于有成就感的人。本在新环境里迅速结交了几个朋友,包括美丽的史蒂芬妮(卡琳·安娜·丘格饰);还有关系最好的维吉尔(贾森·J·托宾饰),他才华横溢却在社交上笨手笨脚;还有一个就是维吉尔的表兄韩(宋康饰),一个丢失了灵魂、肌肉胜过大脑的家伙。但此时他发现达瑞克有些奇怪:作为班上最聪明的学生,他看上去似乎可信和亲切的背面潜藏着许多秘密。 在与达瑞克一起的日子里,本和伙伴们意识到传统的完美学生的地位正受到威胁,于是本领导这组各怀心事的少年加入了一个郊区帮派,用双倍的恶作剧和一些小小的犯罪去缓解作为一名好学生的压力,对他们来说,偷东西和毒品交易就像考试作弊一样轻松而有成就感。可是随着时间的流逝,一切都失去了控制:性、毒品和犯罪的欲望……******美国2002年华裔导演贾斯汀林执导的R级独立片,是继《喜福会》之后第二部华裔班底制作的独立电影,入围圣丹斯电影节、多伦多国际电影节参赛作品,IMDB评价达到7.7分,派拉蒙一区版。明珠也出了此片,名叫《明天会更好》。简介:该片80%的观众是华裔,本·麦纳伯格(派里·沈)是亚裔高中学生,他聪明伶俐、功课好、课外活动积极,几乎所有的著名大学都向他发出了接收函。他和他的好友维吉尔(詹森·J·托宾)在后院踢球,却听了有手机电话铃响,不是本也不是维吉尔的,好象是从草地中发出的,于是他们寻声向地下挖掘,挖呀挖近似疯狂,终于他们发现那响声是从泥土中,从一个尸体手中握着抓着的东西发出的。《Better Luck Tomorrow》,是一部完全由亞裔拍攝和演出,表現美國亞裔青少年生活的片子。電影開始前,三個亞裔青年進來向大家問好,呼籲觀眾——大部份是亞裔 ——動員自己的朋友來看。說實話,這部製作費用低廉的電影拍得相當不錯,我有些好奇為什麼沒有在媒體上見到太多的廣告。電影散場以後,我才認出來,剛才進來講話的竟然是影片中的主角。後來知道,該片經費微薄,沒有marketing的費用,只有主角在美國巡迴推廣。這不禁讓我感喟華裔在美國的艱辛和困苦。美國是個移民國家,以「大熔爐」著稱,可是美國對於外國移民的包容和友好,似乎主要體現在對歐洲和南美洲移民身上。從一百多年前中國勞工第一次踏上美洲大陸開始,這片自由土壤上的一代代華裔就自始至終為生活進行著抗爭和奮鬥。剛到美國的時候,我想作為生在美國長在美國的華裔,他們會很自然地認同自己是美國人,可是因為亞裔外貌體型上和大部份美國人的差別,在社會上他們會很容易被誤認為是「外國人」,即使他們說一口流利的英文。這樣的現象在文學和藝術界尤為明顯。許多從事創作的華裔人士雖然從心理和個人歷史背景上來看都是地地道道的美國人,但他們的作品卻往往被放到他們的種族背景(ethic background)裏去解讀。在這種不公平的詮釋面前,作為創作者一般有兩種態度。有的人更加努力和刻意地去洗刷自己的種族背景,力圖否認自己是華裔這個事實;也有人開始嘗試去瞭解、融入那個誕生他們祖輩的遙遠的東方文明,並且給自己定位為東西方文明的橋樑,把自己身份的特殊性從不利變成特長。比如在美國相當成功的華裔作家Amy Tan就是個典型的例子。當然這兩種態度並沒有優劣之分,每個人都有權利決定自己的生活方式,但是作為現今美國社會中的大多數華裔,在生活和工作中他們需要比一般美國人多面對一層阻隔,這是個不爭的事實。在這種困境下,亞裔自己的團結和努力就顯得更為重要。《Better Luck Tomorrow》的導演演員們的努力就是希望的一部分。我們應當給予這樣的努力更多的鼓勵。希望亞裔朋友都來看這部電影。